When I got finished listening to Mostly Other People Do The Killing’s new album Red Hot, I thought, “man, this is the best album they’ve ever made.” You May Also Like: Mostly Other People Do The Killing – Loafer’s Hollow (2017) Mostly Other People Do The Killing – Paint (2017)Read More

Authored by Hal David and Burt Bacharach, “My Little Red Book” was a staple of just about every garage rock band’s diet during the ’60s. Manfred Mann’s jazz styled version of the song — which appeared in the movie, “What’s New Pussycat” and on their My Little Red Book OfRead More

When I approached my contacts in the music industry with the idea of a series of articles attempting to look at the development of free jazz, many jumped at the chance to offer their thoughts and ideas. You May Also Like: ‘All That’s Jazz,’ by Sammy Stein (2017): Books LondonRead More

At St. Augustine Amphitheatre, St. Augustine, Florida: What we saw is not easy to explain. You May Also Like: Walter Becker, “Hard Up Case (Live at Slim’s 1995)” (2024): Steely Dan Sunday Steely Dan, April 29, 2017: Shows I’ll Never Forget

Wise Up Ghost and Other Songs, the new collaboration between Elvis Costello and the Roots, is the 30th studio album in Costello’s long, unrelenting, and continually reinvented career. You May Also Like: Elvis Costello’s ‘The Delivery Man’ Once Again Resisted the Urge to Look Back Night Songs by Elvis Costello,Read More

This album, Dizzy Gillespie’s first and best for Norman Granz’s Pablo imprint, reaffirms a relationship with bassist Ray Brown that goes back to the mid-1940s. It’s Joe Pass who makes the bigger impression here. You May Also Like: Dizzy Gillespie and Friends – Concert of the Century: A Tribute toRead More

In the beginning, Christian Kjellvander obtained success with the Loosegoats, a band whose righteous roots rock offerings still make many a fan and critics top ten list You May Also Like: Christian Marien Quartett – ‘How Long Is Now’ (2024) Christian Scott Confirmed His Vision for Jazz With ‘Live atRead More

In a dark song that would not have been out of place on Nebraska, our protagonist is finding life difficult in his post-prison years. You May Also Like: Reevaluating Bruce Springsteen’s ‘The Wild, the Innocent and the E Street Shuffle’

Tony Joe White boasts a uniformly comfortable approach, established with 1968’s “Poke Salad Annie” and repeated since with all the regularity of shotgun rows of Southern-grown cash crops. You May Also Like: Joe Mandica, “I Feel Fine” (1980): One Track Mind

As Earth Wind and Fire nears the two-decade mark without Maurice White as an every-day presence, it’s issued a return-to-form new disc — though their thoughts remain with the group’s founder. You May Also Like: Bluey of Incognito: The Albums That Shaped My Career