The classically trained, Croatian born pianist Matija Dedic’ certainly wears his Euro-classical heritage on his sleeve, and why not? You May Also Like: No related posts.

<<< BACKWARD (“Do You Remember The Name”) ||| ONWARD (“Darkling Down”) >>> *** STEELY DAN SUNDAY INDEX *** In case there was any doubt, Walter Becker is a smart ass. Of course if you are a Steely Dan fan you’ve known that for decades. You May Also Like: Steely DanRead More

Jack Bruce’s forthcoming Silver Rails isn’t a long-hoped-for return to his greatness with Cream, a fiery fusion excursion in the manner of his more recent work with Spectrum Road, or something else entirely. It’s actually a little of all of that You May Also Like: Jack Bruce and Robin TrowerRead More

This fourth volume in a unique series from Acid Jazz Records does not disappoint, collecting contemporary, mostly British groups performing instrumentals on Hammond organ with a Leslie Speaker. You May Also Like: Aviation Blondes – ‘Edge of Forever’ (2009): Forgotten Series Organ Freeman – Respect My Art (2017) Ross HammondRead More

Asked what inspired him, jazz double bassist John Edwards has an instant reply: “Everything inspires, musically.”

Don Felder, the ex-Eagles guitarist, acknowledges a myriad of influences on his sound, from Elvis Presley and B.B. King to Eric Clapton. “Just as important,” he adds, “was the early Beatles stuff” — in particular, Felder says, George Harrison’s approach to the guitar on Meet the Beatles. You May AlsoRead More

John Oates wrote or co-wrote some 82 songs between 1972-2003 as part of Hall and Oates, including the No. 1 hits “I Can’t Go For That” and “Out of Touch.” So, really, it’s easy to understand his interest in mixing it up with some new collaborators. You May Also Like:Read More

Sometimes, it’s all about Ornette. On the whole, 80/81 comfortably visits “out” material and more straight ahead jazz, with a healthy introduction to Pat’s idea of “folk jazz.” Some of the glue that holds all of this together is the influence of Ornette Coleman. You May Also Like: Why YouRead More

I’ll Take You There, Greg Kot’s new biography of Mavis Staples, explores the life and times of an ebullient contralto and former member of the Staple Singers who’s still belting out R&B and gospel at 74. You May Also Like: Mavis Staples Wrote a New Ending For Her Father WithRead More

The Tubes’ “She’s a Beauty” became not just their biggest hit but also an intriguing intersection between Chicago and Toto. Wait, Chicago and Toto?