A record that’s equally capable of enchanting you and pummeling you with many shades of aura in between, ‘Palo Colorado Dream’ catapults Anthony Pirog into the corps of elite experimental guitarists.

This is the kind of richly textured, reminiscent version of “Summertime” required as the first cool fingers of fall close around you. You May Also Like: No related posts.

John Lennon’s 40-year-old ‘Walls and Bridges’ is long overdue for a critical reevaluation.

“Benny Man’s Blues” lives up to the outsized, genre-bending expectations surrounding a studio pairing of Eric Johnson and Mike Stern.

Brian Charette can’t help putting a refreshingly different spin on things with this delightful, covers-heavy organ trio record.

Rupert Holmes’ ‘Partners in Crime’ album – home to the simply inescapable “Escape (The Pina Colada Song)” – was released on October 5, 1979.

Antoine Fafard’s ‘Ad Perpetuum’ is a wonderfully diverse piece of jazz-fusion art.

If you like ‘Kind of Blue,’ then you…uhh…will like ‘Blue’.

Walter Becker aficionado Preston Frazier picks out five instances where the guitarist shined on both Steely Dan and his own solo records.

Hall and Oates made a gutsy move, choosing to go their own way – and became genre-jumping pioneers in the process.