Queen’s Roger Taylor discusses the possibility of a studio collaboration with Adam Lambert.

The Huntertones, née The Dan White Sextet, lean on trombonist Chris Ott’s arranging magic to give another cinematic song a swift, hard-bop kick in the pants.

How you can pen such a profound and meaningful song in your early 20s, as Bruce Springsteen does here?

Perhaps not quite as amazing as his fabled sides for Blue Note Records, but Bud Powell’s ‘Live At The Blue Note Café, Paris 1961’ is plenty good enough to make any jazzbo wish they’d have been there.

Tingling and trembling with style and substance, Aerial’s ‘Why Don’t They Teach Heartbreak at School?’ is a power-pop epic.

Eric Bibb’s civil rights blues manifesto ‘Blues People’ is poignant, and also entertaining.

Released 35 years ago today, ‘Hydra’ showed the full breadth of what Toto could do. It’s influencing their new album, too.

Flying Colors is a group loaded with talent, but in need of a rejiggering of priorities toward its own embedded prog-pop sensibilities.

Warm, tranquil, and making do with minimal fuss, Thirty Steps to Forward’s ‘The Bird And The Fool’ is immaculately alluring.

Here’s a review of ‘Bridges of Souls,’ a tasteful fusion excursion from Hungarian drum ace Ferenc Nemeth and Hugarian guitar ace Attila Laszlo.