Their silent wonder at the Beach Boys’ as-yet-unreleased masterpiece was offset, however, by a much different reaction from Keith Moon.

The rockabilly punk of “Rip This Joint” provides an early glimpse into how Ron Wood would fit in with the Rolling Stones.

Luke Reynolds joins us to talk about his deeply intriguing new album ‘After the Flood,’ and how it advances his well-respected career.

Yes was “strictly a pot and hash band,” Chris Squire insists, until a fateful 1973 U.S. tour featuring the Eagles as their opening act.

Brian Mackey spent some two years working on his debut album, and you hear every moment of care in songs like “Captain of the Moon.”

We interview Nels Cline, who is set to release a guitar summit meeting with Julian Lage called ‘Room.’

Allen Toussaint explores a Paul McCartney connection from long before their time together around the newly reissued ‘Venus and Mars.’

He can joke about it now, and does. But Dennis DeYoung admits his hearing has never been the same since a sudden mishap.

Graham Nash doesn’t dilute “Simple Man” with wish-fulfillment fantasies. There’s just this: a heart that longs for what’s been lost.

Stevie Wonder’s ‘Songs in the Key of Life’ is one of those albums that I can truly say changed my life.