Steve Cropper talks about a memorable moment of improvisation by Otis Redding, and debunks a myth that’s surrounded it ever since.

If AC/DC’s ‘Rock or Bust’ ends up being the final album in the history of classic rock, well, that’s probably OK.

Here are Steely Dan’s five best bass performances, selected in tandem by our panel of Steely Dan authorities.

Peter Gabriel’s first new studio release in ages is a triumph of musical restraint, and a moment of layered narrative intrigue.

The new documentary ‘Very Extremely Dangerous,’ it’s clear, set out to uncover something redemptive in Jerry McGill. It’s not there.

Duluth Trading Co. explains the concept of a pun in their response to a lawsuit from the Eagles’ Don Henley. Also, the whole free speech thing.

The majesty of Jeff Beck at his best isn’t just his technical prowess. It’s how he charges through boundaries like a paper pre-game banner.

“At the risk of sounding boring,” Deep Purple’s Ian Gillan says, “we haven’t changed our ethos since 1969.”

Some Hall and Oates videos were high concept, some amazingly low budget. But which is John Oates’ favorite?

Here is a review of Nick Hempton’s “Montauk Mosey,” a nightcap tune done up faithfully in the classic jazz style.