D’Angelo and the Vanguard – Black Messiah (2014)
With D’Angelo’s pertinent message, color-blurring harmonics and a total lack of slickness, ‘Black Messiah’ is a worthy successor to ‘Voodoo.’
With D’Angelo’s pertinent message, color-blurring harmonics and a total lack of slickness, ‘Black Messiah’ is a worthy successor to ‘Voodoo.’
Nels Cline joins us to talk about Wilco’s plans, as the group announces 2015 dates and continues work on a follow-up to ‘The Whole Love.’
By the 1980s, all of the guitar gods were gone, or otherwise occupied. Into this unlikeliest of scenarios stepped Stevie Ray Vaughan.
Highly personal songs addressing both personal and political issues propelled Bill Withers into the Rock and Roll Hall of Fame.
Brian May already had a musical chemistry with fellow Queen co-founder Roger Taylor. He explains what Adam Lambert brought to the mix.
Steve Cropper has long advocated for the 5 Royales, newly announced recipients of the Rock and Roll Hall of Fame’s Early Influence Award.
The Who’s Pete Townshend admits that Kiss’ on-stage garb baffled him, at least to begin with.
Hall and Oates’ “I Can’t Go For That” began its march to No. 1 this week, creating misconceptions and breaking barriers along the way.
Studio or live, ECM or ACT record label, it’s that same, damned good Manu Katché music.
Michael McDonald can come off as a guilty pleasure, principally because his voice was so often caught in a web of too-slick production. Not here.