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D’Angelo and the Vanguard – Black Messiah (2014)

With D’Angelo’s pertinent message, color-blurring harmonics and a total lack of slickness, ‘Black Messiah’ is a worthy successor to ‘Voodoo.’

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Coming back together ‘with some fresh perspective,’ Wilco announces 2015 tour dates

Nels Cline joins us to talk about Wilco’s plans, as the group announces 2015 dates and continues work on a follow-up to ‘The Whole Love.’

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Stevie Ray Vaughan became blues’ unlikely savior on way to Hall of Fame glory

By the 1980s, all of the guitar gods were gone, or otherwise occupied. Into this unlikeliest of scenarios stepped Stevie Ray Vaughan.

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Bill Withers built a Hall of Fame career by challenging convention

Highly personal songs addressing both personal and political issues propelled Bill Withers into the Rock and Roll Hall of Fame.

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Queen’s Brian May discusses what Adam Lambert can do that Freddie Mercury couldn’t

Brian May already had a musical chemistry with fellow Queen co-founder Roger Taylor. He explains what Adam Lambert brought to the mix.

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Steve Cropper on the 5 Royales’ lasting impact: ‘Deserved more credit than they ever got’

Steve Cropper has long advocated for the 5 Royales, newly announced recipients of the Rock and Roll Hall of Fame’s Early Influence Award.

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Pete Townshend wrestles with the Kiss phenomenon: ‘Not quite sure about it’

The Who’s Pete Townshend admits that Kiss’ on-stage garb baffled him, at least to begin with.

Reevaluating Hall and Oates' timeless 'I Can't Go For That': 'That's what made it so funky'

Reevaluating Hall and Oates’ timeless ‘I Can’t Go For That’: ‘That’s what made it so funky’

Hall and Oates’ “I Can’t Go For That” began its march to No. 1 this week, creating misconceptions and breaking barriers along the way.

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Manu Katché, “Pieces of Emotion” from Live In Concert (2015): One Track Mind

Studio or live, ECM or ACT record label, it’s that same, damned good Manu Katché music.

Michael McDonald - This Christmas (2010): On Second Thought

Michael McDonald – This Christmas (2010): On Second Thought

Michael McDonald can come off as a guilty pleasure, principally because his voice was so often caught in a web of too-slick production. Not here.