David Gilmour makes some frank admissions about assuming leadership of Pink Floyd after Roger Waters’ acrimonious departure.

Brian Setzer, an unjustly unheralded guitar player, has this knack for connecting with the redux zeitgeist.

Here is a review of Wayne Krantz’s cool fusion jazz rendition of MC Hammer’s “U Can’t Touch This.”

Bryan Murray’s nutty but endearing hip hop/jazz hybrid ‘Balto!’ is a homegrown concoction worth checking out.

Styx, once again, isn’t part of a Rock and Roll Hall of Fame induction class. Not that it surprises co-founder Dennis DeYoung.

With D’Angelo’s pertinent message, color-blurring harmonics and a total lack of slickness, ‘Black Messiah’ is a worthy successor to ‘Voodoo.’

Nels Cline joins us to talk about Wilco’s plans, as the group announces 2015 dates and continues work on a follow-up to ‘The Whole Love.’

By the 1980s, all of the guitar gods were gone, or otherwise occupied. Into this unlikeliest of scenarios stepped Stevie Ray Vaughan.

Highly personal songs addressing both personal and political issues propelled Bill Withers into the Rock and Roll Hall of Fame.

Brian May already had a musical chemistry with fellow Queen co-founder Roger Taylor. He explains what Adam Lambert brought to the mix.