Released on January 12, 1970, “Come and Get It” became Badfinger’s first Top 10 U.S. hit. By the end of the decade, it had brought them together again.

Andy Jackson’s lengthy association with Pink Floyd opens ‘Signal to Noise’ up to easy comparison. But there’s more to his flinty, individual vision.

When Julian Lennon was looking to finish ‘Everything Changes,’ he returned to a last drive with his late father — and Aerosmith on the radio.

‘Clarinet and Drums,’ from Hamir Atwal and Ben Goldberg, succeeds on the simpatico and sheer skill of its participants.

New music from the Eddies is always welcome, and these two songs continue to clarify the Southern California trio’s value and importance.

Stripped down to its girders, Nick Cave’s new interpretation of Leonard Cohen’s “Avalanche” takes on an epic, swirling sadness.

Improvisi’s ‘Live at the Hope and Anchor’ features two sets of improvised and deliciously spontaneous music.

Steve Elliott caught up with James Calvin Wilsey, who made his studio debut with Chris Isaak on the January 10, 1985 release ‘Silvertone.’

The Hangabouts’ snappy pop songs evoke essential aspects of their ancestors, without bowing down to mindless mimicry.

Between age-old rock snobbery and this nasty squabbling, it’s easy to forget what once made the Little River Band great. Time for a cool change.