Mini Mansions, a still-emerging LA-based trio, thought they might get the Beach Boys’ Brian Wilson on their new song. What were the chances?

‘Shadows in the Night’ engineer Al Schmitt is still marveling over the chances taken by Bob Dylan on the forthcoming project.

When Jeff Beck arrived with the Yardbirds nearly 50 years ago, the departing Eric Clapton’s legend loomed large. He then set about dismantling it.

Tom Wheeler’s ‘The Fender Archives’ takes us back to a time when it seemed that anything that was imaginable was also achievable.

Gregg Allman has turned his attention to a new solo album. Just don’t ask him to define it — or even nail down an exact release date.

Released five years ago today, Ringo Starr’s ‘Y Not’ featured the usual group of friendly co-stars. A partial Beatles reunion stole the show.

Casey Golden Trio’s ‘Outliers,’ uncommonly sophisticated from relative newcomers out of Australia, subverts jazz from within.

An ailing Mickey Newbury saved one of his best songs for the final album released during his lifetime.

Released on January 12, 1970, “Come and Get It” became Badfinger’s first Top 10 U.S. hit. By the end of the decade, it had brought them together again.

Andy Jackson’s lengthy association with Pink Floyd opens ‘Signal to Noise’ up to easy comparison. But there’s more to his flinty, individual vision.