Pink Floyd’s Nick Mason, one of the most vocal critics of U2’s iTunes gambit, says he’s seen the future of music on the internet. It just needs more users.

Diana Krall is better than these arrangements, better than this album, better than she’s too-often presented — even though those records sell the most.

Eleven hours into work on ‘Another Good Road,’ John Oates decided to cover his old favorite ‘Stack O’ Lee.’ It proved more difficult than he’d imagined.

For James “J.Y.” Young, Jeff Beck has been a constant, standing as an inspiration from his early successes with Styx through to today.

‘Freedom Highway Complete’ makes viscerally clear that the Staple Singers, though they’d moved far afield of gospel, could still rattle the back pews.

A funky, groovy midnight run of a record, Ali Bey’s satisfying ‘My Finest Hour’ features an abundance of grooves.

The Jackson Browne-produced “Mohammed’s Radio” helped introduce Warren Zevon — with a key assist from Lindsey Buckingam and Stevie Nicks.

UK-born New Yorker Chris J. Connolly has figured out on debut album ‘Flying Lessons’ that keeping it simple makes it great.

“Beryl” reminds us of why Mark Knopfler became famous in the first place – even as it seems to retrace the steps that led him away from that fame.

Humming with romance and sexuality, the sentiment of Rene and Rene’s “Lo Mucho Que Te Quiero” radiates with pure pop godliness.