Hall and Oates have made no secret of their reluctance to become MTV-age stars, having emerged from the roosty, and rooted, folk scene.

Death Cab for Cutie’s “The Ghost of Beverly Drive” feels like the centerpoint in this album’s unusual journey both with and without Chris Walla.

This month, Steely Dan’s ‘Katy Lied’ turned 40 years old. Here are some reasons why it’s good enough to overcome an infamous mixing fiasco.

An unexpected Violent Femmes reunion a few years ago didn’t seem to produce anything in the way of new music. At least, until now.

Help jazz percussion great Warren Smith get some memorable material from a recent residency at NYC’s The Stone club released and keep his legacy intact.

“Running Out of Time,” my ass. With ‘XIV,’ Toto has shown they’re not running out of time. In fact, they’ve gotten a second wind.

It might seem, well, so unusual, but Tom Jones counts Bob Dylan as a hero. That led to a surprise appearance at the recent MusiCares Foundation concert.

ARO is light years away from the squawky, attention-hungry hot messes that Aimee Osbourne’s sister Kelly has unleashed on the music world.

Steve Cropper has been playing “Midnight Hour,” “Green Onions” and “Soul Man” for decades. It’d be understandable if he became tired of them.

Pattie Boyd gives fans an exclusive peek into the rehearsals for ‘The Last Waltz’ concert by the Band, saying “it was so exciting, very exciting.”