How much of Brian Wilson’s third-act resurgence is studio magic? We search for clues in a live take on a song from his upcoming solo album.

Released on March 17, 1977, Emerson Lake and Palmer’s ‘Works Vol. 1’ arrived more than three years after ‘Brain Salad Surgery.’ Much had changed.

“Yesterday and Today,” from Yes’ 1969 debut album, finds the world’s greatest progressive rock band sounding anything but progressive.

I was expecting funk. What I was not expecting was the improvisation that Wild Card introduces into every number on ‘Organic Root.’

When Mickey Newbury covered a song, he did it with such intensity that it’s hard to imagine it done any other way. Here’s another example.

Watch out for Bjørn Solli’s ‘Aglow: The Lyngør Project Volume 1’ (out May 4, 2015), conceived on a small island in South Norway and birthed with a crackerjack band in NYC.

Dion will always be remembered for his pre-British Invasion songs, but there was far more to him than “Runaround Sue” and “The Wanderer.”

Released on March 16, 1971, the instantly familiar ‘Mud Slide Slim and the Blue Horizon’ meant James Taylor wouldn’t go down as a one-shot wonder.

Ben Craven would describe himself as a cinematic progressive-rock singer songwriter. But “Revenge Of Dr. Komodo” doesn’t quite fit that description.

Released this week in 1982, ‘Asia’ heralded a sure-fire supergroup. By 1983, they’d split. John Wetton and Geoff Downes tell us what went wrong.