If you’re expecting another rootsy upbeat rocker from the BoDeans, the frankly scarifying blues of “Slave” likely comes as something of a shock.

Slash added one of his “better one-off solos” to a Bob Dylan song, but it was never released. Find out why the Guns N’ Roses legend is OK with that.

Dennis DeYoung says, after years of failed attempts by others, ‘Glee’ nailed it with their rousing recent rendition of Styx’s “Come Sail Away.”

“Wolflight” is a colloquialism for the time just before dawn, when the world is rousing itself. Steve Hackett seems to be similarly coming alive again.

The Blues Brothers fought their label to make sure early heroes like Floyd Dixon, Steve Cropper and Isaac Hayes received royalties.

Combine David Gilmour’s “Out of the Blue” – released March 27, 1984 – with the best of The Final Cut, and you’d get the next great Pink Floyd album.

Carl Palmer talks about the decision to reformulate Emerson Lake and Palmer songs with guitar-focused arrangements for ELP Legacy.

His current All-Starrs buoy everything that surrounds them — including, it’s clear, Ringo Starr himself. The ultimate bandmate, Starr sounds whole again.

As Steven Tyler — born on March 26, 1948 — celebrates another trip around the sun, we decided to travel deep into our Aerosmith collections.

Always open to new sounds, Mavis Staples is now working with Son Little, after earlier collaborations with Jeff Tweedy and the North Mississippi All-Stars.