This creative burst mostly came with help from jazz luminaries, but ‘The Omnichord Real Book’ still sounds like the singular Meshell Ndegeocello.

Angie Wells and ‘Abbey Road Reimagined’ headline the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

With its genre-defying songs, Joshua Burnell’s ‘Glass Knight’ returns us to a time when folk, pop and rock blended into a clever tapestry.

Ebarhard Weber’s 1974 debut ‘The Colours of Chloe’ deftly assimilates classical, jazz, folk and even world fusion into an impressionistic whole.

Jan Garbarek would continue to produce great records for ECM in the years and even decades that followed, but there won’t ever be another ‘Triptykon.’

Here is the video premiere of “Amid, Imbued” by Dylan Ryan, Heather McIntosh and Devin Ryan, from the upcoming album ‘Light From a Curious Sky.’

Michael Formanek, Anthony Pirog and Mike Pride produce the kind of inspired music that comes from jamming – even if the record wasn’t made that way.

With ‘Connection,’ Marc Ribot and his rabble-rouser super trio Ceramic Dog are back leading the hell raising contingent of loud, improvised music.

Michael Bisio and Timothy Hill recently got together to make a delightful, instinctive record that neither could have made with anyone else.

Fans of bands rooted in Beatlemania will find a lot to love in the clever grooves of the late Klas Qvist’s ‘Citizen K III.’