Perhaps best known for a stint in Supertramp, Marty Walsh is a do-anything sessions guitarist you’ve heard – even if you don’t think you’ve heard of him.

Renato D’Aiello’s ‘Satori’ surprised me in all the best ways good music can, and I warmed more to it with each play – and there have been many.

Ivo Perelman ha s meeting of the minds with drummer Whit Dickey in exploring what is possible on a tenor saxophone thanks to the innovations of his forebears.

David Paich has said Toto’s “Hold the Line” came together quickly, yet one wouldn’t know it because the song has so many layers.

Here’s a review of the last song from Nick Hempton’s ‘Catch and Release’ series. “Change For A Dollar” features his base quartet plus tenorman Jerry Weldon.

Founding Jethro Tull guitarist Mick Abrahams is back after a health scare with an endlessly diverse album featuring many of his famous friends.

Scott Amendola was right, his opus orchestra piece just couldn’t be a special, one-night-only performance. Fortunately, it won’t be now.

‘Jimmy Choos,’ the lead track off the first album of original Rickie Lee Jones material in 10 years, sounds both familiar and different.

When Pat Metheny and Lyle Mays’ ‘As Falls Wichita, So Falls Wichita Falls’ arrived in May 1981, it sounded like nothing else in my record collection.

“Love of the Loved” failed to secure a recording contract for the Beatles with Decca. But Brian Epstein didn’t give up the hope that it could still hit.