GTR debuted in July 1986 with a lineup led by prog legends Steve Hackett and Steve Howe. What could go wrong? As Hackett tells us, almost everything.

Sleek, clean, and shimmering to a pure pop glow, Taylor Penrose’s “Believe” soars with feeling and finesse.

Live Aid, held on July 13, 1985, was more than a great cause for Hall and Oates. It was, as John Oates tells us, a chance to “come full circle.”

Preston Frazier caught up with Lucas Lee to talk about ‘Normalcy Bias,’ plans for a follow up, his musical beginnings and albums that inspired him.

An enjoyable compilation capturing a specific time, ‘Heavy Metal: Music From the Motion Picture’ arrived just before rock and pop became mechanical.

Billie Rainbird’s debut album, produced by former Toto drummer Simon Phillips, emerges as something diverse, thought provoking and memorable.

Bill DeYoung caught up with Tom Petty during his fertile collaborative period with Bob Dylan, but most of their talk went unpublished. Until now.

Over the years since Lou Reed released ‘Metal Machine Music’ in July 1975, many others have followed him into noise, distortion and atonality.

“I’m Only Sleeping,” with its hallucinogenic quality, vivid yet surreal lyrics, creative guitar solo and unusual recording effects, still sounds like no other song in the Beatles’ catalog.

In addition to his own terrific bands, Terry Edwards has worked with PJ Harvey, Nick Cave, Tom Waits, the Blockheads and Robyn Hitchcock.