Roger Waters Created His Solo Masterwork With Focused, Trenchant ‘Amused to Death’
‘Amused to Death,’ released on September 1, 1992, found Roger Waters returning to a tried-and-true formula. The result was his best solo album.
‘Amused to Death,’ released on September 1, 1992, found Roger Waters returning to a tried-and-true formula. The result was his best solo album.
If ‘Calling All Stations,’ released on September 1, 1997, didn’t have the “Genesis” legacy to live up to, would you have enjoyed it anyway?
In direct contrast to the prior Jon Anderson-penned track, “Astral Traveller” rocks as hard as anything on Yes’ ‘Time and a Word.’
Released on August 31, 2004, Asia’s ‘Silent Nation’ represented the final collaboration between longtime partners Geoff Downes and John Payne.
Jimmie Vaughan’s ‘Plays Blues, Ballads & Favorites,’ released five years ago this summer, shined a needed spotlight on some largely unheard covers.
In the period immediately after New Orleans’ levees failed under Hurricane Katrina’s onslaught beginning on Aug. 29, 2005, musicians began trying to make sense of things.
Mike Pride states, “making this solo record has been a total mind-bender.” Listening to ‘Listening Party’ is a mind-bender as well.
An ‘Animal House’-style party ambience, surrounded by garage rock grooves and crafty pop detours, powers the New Trocaderos’ ‘Thrills and Chills.’
On this standout cut from ‘Generations,’ released on August 29, 2005, Journey returned to a familiar theme – and, in turn, recalled past glories.
A model of consistency, style and grace, Michael Dease stays at the head of the class among jazz trombonists with his seventh album, ‘Decisions.’