Frank Sinatra’s Trilogy offered one final thunderous triumph
Frank Sinatra would enter a studio again only a handful of times after ‘Trilogy’ arrived 35 years ago. None produced more timeless results than this.
Frank Sinatra would enter a studio again only a handful of times after ‘Trilogy’ arrived 35 years ago. None produced more timeless results than this.
‘Sugar Mountain: Live at Canterbury House,’ issued on Dec. 2, 2008, presents Neil Young before he rose to solo stardom. But you’d never know it.
’80/81′ visits “out” material and more straight ahead jazz, with a healthy introduction to Pat Metheny’s idea of “folk jazz.”
As brilliant as N’Dea Davenport is, I’m drawn more these days to feel-good instrumentals on the Brand New Heavies’ self-titled album from 25 years ago.
“The yearning to do more is completely validated by what came before.” Caroline Davis helps to make sure we know what came before.
The Doobie Brothers’ ‘Minute by Minute,’ released on Dec. 1, 1978, features most people’s favorite Michael McDonald-era song. But mine’s not “What a Fool Believes.”
As a Toto song, “Live For Today” is an interesting footnote for the band and a hint of the greatest of future Toto contributions by Steve Lukather.
Released in December 1967, ‘Sorcerer’ is the clearest sign yet that Miles Davis was letting go of the wheel.
This Dennis DeYoung-led track illustrates all that Styx aspired to on the way to becoming one of the biggest late-1970s arena rock bands.
With ‘Vertigo’ as with their 17 prior albums, The Necks reveals its secrets in enticing ways over the course of one long, enchanting track.