Bob Seger’s ‘The Distance’ has a musical power which exceeds the lyrical heft of the far-more-popular ‘Night Moves,’ as heard on stand-out cuts like “Boomtown Blues.”
For the first time ever, we have all of the Spencer Davis Group’s underrated post-Steve Winwood recordings in one place.
With ‘Flight 602,” Chicago’s Robert Lamm describes the boredom of waiting to go onstage, but this engaging song is anything but boring.
As voice actor June Foray turns 100 in 2017, Mike Tiano asks fans to sign the petition for her to receive an honorary Oscar.
This exclusive stream from tenor sax master Nate Lepine’s debut album is a nice day’s work in the span of less than three minutes.
‘Rich Man’ is a consolidation of Bramhall’s strengths as a straight-up rocker, Texas bluesman and modern soul crooner, self-produced in the psychedelic soul style of The Black Keys’ Dan Auerbach.
In recent years, I’ve said some pretty negative things about Anthrax frontman Joey Belladonna. I’d like to use this opportunity to take all of those things back.
Toto’s “Endless” shares the pop sensibility that made ‘Toto IV’ so popular – but, unfortunately for some fans, not the same lead singer.
When Carl Weingarten decides to create his soundscapes with little or no augmentation from others, it’s a flair that can be appreciated and enjoyed at its maximum potential.
The aptly titled ‘Danny Says’ finds the always-quotable Danny Fields discussing his life among the late-20th century’s musical greats and near-greats.
