Ed Toth discusses his time in the Doobie Brothers, as well as earlier work as a former member of the platinum-selling Vertical Horizon.

Like the mythical phoenix bird that rises from the ashes, Azymuth has rebounded from a devastating blow. On ‘Fênix’, José Roberto Bertrami’s spirit lives on strong.

Since it arrived on 1998’s ‘Chicago XXV,’ this update of “Little Drummer Boy” has grown to become a personal favorite – and, in my opinion, the definitive version.

Mike Tiano makes a new argument for Yes’ long-overdue induction into the Rock and Roll Hall of Fame.

Preston Frazier offers his thoughts on the best reissues and box sets from 2016, with two special honorable mentions.

“Madrigal” may be the only track on Yes’ disappointing 1978 album ‘Tormato’ which ends too soon.

Ivo Perelman liberally mixes and matches his improv trios for his ‘Art of the Improv Trio’ series and maintains his high standards for free jazz all the same.

The Beatles may have been in their final stages, but “Don’t Let Me Down” exemplifies how they could ultimately work together to create powerful songs.

In the battle between the 1400’s and the 2000’s, art in the form of uniquely inspired music wins.

Chicago guitarist Keith Howland added his first lead vocal to one of five new tracks included on 2003’s ‘What’s It Gonna Be, Santa?’