The Bad Signs remind me of Mazzy Star mashed up with Roy Orbison, but with country-influenced female lead vocals.

With its stellar arrangements, impressive chops and smart production, Chicago’s “Just You ‘N’ Me” reached rare heights among pop-rock singles in 1973.

Mark Saleski makes the case for Arto Lindsay’s take on “Erotic City” as the best-ever cover of a Prince song.

In spite of various career frustrations, Dave Mason’s name recognition was sufficient to pack the Turner Hall Ballroom in Milwaukee.

Here is the premiere stream of “Tiny Skull Sized Kingdom” from Bryan and the Aardvarks’ 2017 release ‘Sounds From The Deep Field.’

Marty Stuart calls his backing band the Fabulous Superlatives – and, the thing is, they live up to his claim on every tune.

‘Fight for the Rock’ almost put Savatage’s career in a coffin before we got their best work.

Yes has never sounded more like a cohesive unit than they do on “Into the Lens,” from 1980’s underrated ‘Drama.’

‘Skyward Eye’ represents a great expansion of scope for the saxophonist, composer and bandleader Jonathan Rowden and his Jonathan Rowden Group quartet.

Fabian Almazan joined Preston Frazier for a Something Else! Sitdown to discuss a chance first meeting with Terence Blanchard, his musical roots, a new solo album and what’s next.