Put together by Mighty Shamrocks veteran Mickey Stephens, the Poor Blue’s ‘Wasteground’ is a rootsy, autobiographical tour de force.

Here’s the part of the annual Best of 2017 lists that’s the most fun to pull together.

The Moody Blues have an unusual hold over fans, with many believing the group has mystical, otherworldly powers. And maybe they do.

The band-written “How Many Times” might have been only O.K. in lesser hands. Instead, this standout ‘Kingdom of Desire’ track confirms the magic that was and still is Toto.

The Lovin’ Spoonful really sounded like nobody except themselves, and their 1966 sophomore release ‘Daydream’ consistently underscored that individuality.

It was easy to find jazz records that deserved a year-end salute; maybe ‘too’ easy. The heavy lifting came from figuring out which stood above the rest for this Best of 2017 list.

“Anna (Go to Him)” impacted the Beatles’ songwriting, and Arthur Alexander’s heartfelt vocal style influenced John Lennon’s intensely personal performances.

The short story is that Foghat had two platinum-selling albums back in the ’70s, of which ‘Boogie Motel’ was not one of them.

Not traditionally Chicago in any way, “Long Time No See” proves that Robert Lamm could still come up with something unique when he was motivated.

I saw body surfing up close at this Motorhead show, almost became an unwilling member in a mosh pit, and escaped unscathed. Who could ask for more?