Nine minutes of well-played but uninspired AOR, “Real Love” is not quite up to the standards set by Yes in their glory years.

Jeff Lynne once again demonstrated what makes Electric Light Orchestra special, namely combining various genres to render the music timeless.

The album’s PR material describes ‘We Are the Orchestra’ as a “bold departure” for Daniel Bennett, but what strikes me actually is that it’s not.

Like the Real Thing, you might attempt to resist the 1957 Tail-Fin Fiasco’s “39 Grams” but let’s face it, you can’t.

Chicago’s Terry Kath had never sounded smoother or more melancholy. It’s almost as if he knew tragedy would soon befall him.

Get used to seeing that adjective ‘funky’ applied to the Jeff Lorber Fusion’s latest album ‘Impact;’ it applies all over this record and that’s just the way it was intended.

In unveiling his Superette band, Chris Lightcap shows that he invests a fair amount of serious artistry into his work even when he’s making casually fun music.

“Little Child” paints a tantalizing picture of the organic sound of the Beatles, giving a taste of their early years.

New Orleans is a place where many cultures met in the past, and it continues to draw people from all over the world – including jazz lovers like me.

Through it fizzled as a single, Toto’s clean, organic “Turning Point” again exceeds anything their contemporaries were doing at the time.