How Bryan Adams Finally Put It All Together With ‘Reckless’
Something special happened to Bryan Adams 35 years ago this week. Actually – two special things.
Something special happened to Bryan Adams 35 years ago this week. Actually – two special things.
This is drumming extraordinaire Mike Pride taking DIY to the extreme, not only in recording these solo, but also in engineering, mixing & mastering these series of improvisations.
The original songs by Jim Beard and Jon Herington are powerful, and the covers on ‘Chunks and Chairnobs’ stand the test of time.
‘Testament’ leaves me wondering why Avram Fefer isn’t more widely noticed. He consistently brings the goods in composition, technique and sidemen – and delivers.
Chicago isn’t breaking any new ground, but “Love Me Tomorrow” is still stronger than the music of their contemporaries.
‘In the Year 3073: Book I’ builds on the sonic foundation of Projekt Gemineye’s last album, while lyrically proceeding boldly onto the future.
Just like Joseph from the Bible, Bent Knee’s ‘You Know What They Mean’ has a coat of many colors.
The eclectic nature and length of some of the tracks on 1999’s ‘Mindfields’ suggests that Toto were no longer chasing commercial success.
Ex-Yes frontman Jon Anderson, who turned 75 this week, showed that he could still write stirring, conceptually epic pieces.
The post-Bill Berry R.E.M. seemed less solid in its artistic footing, making me wonder if the end was near.