For ‘Adityahridayam 321,’ David Torn is leveraging technology and musicianship in the service of impulsive creativity like no one else can.

Like a fingerprint or snowflake, Ivo Perelman’s and Matthew Shipp’s ‘Magical Incantation’ is unique within a collection of other unique tie-ups even if the basic approaches are similar.

I’m probably in the minority of Yes fans, but I didn’t think much about the 1994 album ‘Talk.’ Will an expanded anniversary reissue change that?

Emphasizing a loosely-structured, open approach, the Tomeka Reid Quartet builds on the success of the prior two outings with ‘3+3.’

An impatient teacher slapped Eddie Van Halen’s hand after a few bad notes, then looked at author Steve Rosen with a look that said, “What the f— did I just do?”

If you were to take Southern rock and put it in a blender with British blues rock, then add a dollop of Vegemite, you’d get Kahvas Jute.

The Claudio Scolari Project raises the stakes for ‘Opera 8,’ an especially adventurous effort from a band for which adventure is their calling card.

Everything on Nick Millevoi’s meditative ‘Moon Pulses’ points to conceiving a single idea and a single-minded determination to bring that idea to fruition.

Mike Tiano interviews Steve McKnight, whose GayC/DC tribute band brings together the many eras of AC/DC – but with a decidedly different slant.

If record execs and promoters had any idea what to do with Dragon, this fun, accessible New Zealand power pop band could have been big in America.