Filled with outtakes, rarities and in-studio goof-offs, this is more revealing, even, than the sprawling 50-something track “Biograph” set. And, in fact, loaded with more songs. “The Bootleg Series” proves to be an intimate, strangely personal statement — seeing as how Bob Dylan didn’t put it together. It’s also aRead More

As I continue digesting downloaded snippets from the soon-to-be-released Bob Dylan record Modern Times (which was “leaked” by Sony on Friday), I got to digging through the old stuff. Thought I’d pass along the occasional thought until Dylan’s first CD in five years is officially distributed on Aug. 29 …Read More

By S. Victor Aaron When Nick’s article on that badass Idris Muhammed started name-checking all the jazz heavyweights that this great dummer had been associated with, I then realized how many records with his imprint that are among some of my all time favorites. It would easy to launch intoRead More

by Nick DeRiso Throat cancer got Sam Myers today, all the sadder since he was nothing if not this throaty, memorable blues singer and harpist. A towering, nearly blind seer, Myers (almost always with Anson Funderburgh and the Rockets as his accompaniment) used to practically burn down the stage atRead More

by Nick DeRiso Was grooving to a 2002 reissue of the titanic groovefest ‘Power of Soul’ tonight, and got to thinking about Idris Muhammad – a funk and jazz drummer of the first order, born in New Orleans as Leo Morris. He started out, of course, playing in soul bands,Read More

It’s hard to put a label on Aaron Neville’s music. Even, as we saw in this interview, for Aaron Neville himself.

by Nick DeRiso A pair of early 1990s Rhino compilations, all punky guts and art-rock pretention – without being pretentious – showed how the Do It Yourself aesthetic was given great depth by the almighty hook. Taken together, they’re a nice overview of the British punk explosion and the lastRead More

by Nick DeRiso While the performances on “Johnny Shines and Robert Lockwood,” from Shreveport, Louisiana’s Paula Records, are first-rate, unfortunately the sound quality early on is spotty. Some of the source material was slightly damaged on the Shines sides, resulting in a couple of gurgly spots where the sound fallsRead More

by S. Victor Aaron My look at jazz guitar records that didn’t get their due. You May Also Like: Pat Martino + Jim Ridl, “The Phineas Trane” from Nexus (2015) How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus John McLaughlin – Black Light (2015)

Cannonball Adderley’s ‘Somethin’ Else’ is the lesser-known, but very worthy, companion piece to ‘Kind of Blue’ that every jazz fan should have.