by S. Victor Aaron When you put the words “Paul Motian” and “Live At The Village Vanguard” together, most jazz fans can’t help but to think of of the time this legendary drummer played at that very venue one magical Sunday in June, 1961. But there were many other enchantedRead More

NICK DERISO: Even four solo records later, you keep expecting Billy Bob Thornton to do something wacky on his new release “Beautiful Door,” to be issued by Universal on July 24. See, in the movies, he’s Bad Santa. The Astronaut Farmer. That murderous dude in his Oscar-winning plot for “SlingRead More

  Now that Rolling Stone magazine has recently anointed him a “guitar god,” cutting edge guitarist Nels Cline has progressed far beyond his minor icon status of the 1990’s in the Los Angeles experimental music scene to become something of a known quantity among followers of progressive-minded electric guitarists likeRead More

NICK DERISO: With a tip of the hat to Z.Z. Hill, one of his clearer influences, young bluesman Lonnie Shields debuted 15 years ago with a record that kept its eye out for the head-wagging flourish. Recorded over the preceeding four-year period in Memphis and Clarksdale, Miss., “Portrait” was filledRead More

by S. Victor Aaron There’s often a certain poignancy inherent in the last recordings of great musicians, and last October we examined notable final recordings of such jazz legends such as Bill Evans, Clifford Brown and John Coltrane. In that article, Goin’ Home by alto saxophonist Art Pepper was citedRead More

NICK DERISO: Art Blakey demanded bravado from his bands, and this one was perhaps his most intense and adventurous. Debuting here on Riverside, “Caravan” opens with Blakey’s audacious drum solo — then moves quickly into an assertive and simply awe-inspiring take on a track once defined by Duke Ellington. ARead More

NICK DERISO: Cuban sensation Gonzalo Rubalcaba entered the U.S. not yet a legend, but discovered by one, Dizzy Gillespie. Rubalcaba (very Corea, but with some Hancock mixed in) made a splashy debut on both the Blue Note and Messidor labels in the early 1990s — reinvigorating the Afro-Cuban jazz movement.Read More

The ongoing summer reunion tour by the Police — which included last night’s appearance as part of the Live Earth concerts — got me to thinking about Sting’s solo stuff, an often too-precious group of records that has nevertheless had its undeniable moments of transcendent beauty. You want to likeRead More

NICK DERISO: One of the first R&B hits for Shreveport-based Jewel-Paula Records founder Stan Lewis was by that juke-jointy legend Frank Frost. A take-off the Slim Harpo song “Baby Scratch My Back,” it was finally collected on CD as part of the rollicking “Jelly Roll Blues” in 1991 — andRead More

by Pico With the release last month of Truth And Beauty by jazz organ wunderkind Sam Yahel, we find a maturing talent finding his own voice in the crowded field of Hammond B-3 players. But how does Yahel sound when he’s just jammin’ with the boys? The same boys foundRead More