We think of him as a famous jazz guy. But those who knew Charlie Haden as a child remember him as a bluegrass prodigy in a traveling musical group of relatives.

Marc Ribot is near the front of a phalanx of whack jazz axe slingers that includes Fred Frith, Henry Kaiser, and of course, good ol’ Bill Frisell. As way out his anything-goes approach goes on his solo records, he’s plenty versatile enough to play for guys as diverse as JohnRead More

It was only a few years ago that I was lamenting the fleeting guitar talent in George Clinton’s early Funkadelic band who reached incredible heights as Clinton’s lead axeman on funk classics like Free Your Mind … And Your Ass Will Follow and Maggot Brain. Besides Eddie Hazel, there wasRead More

Sometimes you know if a CD is going to be good even before you cue it up and start listening to it. The first thing I that caught my eye when I opened up Michael Bates’ Clockwise CD was the note that it was taped live on a two-track recorder.Read More

NICK DERISO: While Rubalcaba was making troubling (if not downright boneheaded) political decisions, he was also proving to be an inspiring (and sometimes downright thrilling) young pianist. Not long after Rubalcaba said the crippling Communist regime in his native Cuba wasn’t all that bad, after all — much to theRead More

Remembering Pink Floyd’s often-overlooked co-founding keyboardist Richard Wright.

In the end, too-soon-gone Louisiana bluesman John Campbell boasted a short, stormy, and now storied career.

Lodged toward the end of a nostalgic song cycle that attempts (with varying degrees of success) to recreate the soaring pop music of his California youth, Brian Wilson offers a moment of naked, welcome honesty. On “Midnight’s Another Day,” away from the florid orchestrations and dense backing vocals associated withRead More

“The best post-punk jazz trio with vibraphone ever.” That’s the bold declaration you’ll find when you click on the link at the bottom of this article to purchase their CD. It’s also very hard to argue with that statement. James Westfall (vibes), Dan Loomis (acoustic bass) and Jared Schonig (drums)Read More

Photo: Susan J. WeiandWith jazz fusion having been around for some forty years, now, it’s not so easy to be distinctive in that field anymore. Garaj Mahal manages to stick out, mainly due to massive chops by all four group members and a dizzying array of influences each group memberRead More