It’s less than one week to Christmas, ladies and gents. Still trying to figure out what to give your loved one or boss that perfect music gift?

All music borrows from something else (even though I wonder if that’s really true when I listen to some of the whack jazz I encounter). The difference between a visionary artist and a hack is how creatively the borrowing occurs. No-Man is a band that borrows more creatively than most.Read More

by Pico We’re getting to the end of the year and it feels as though there’s still too many 2008 CD’s to sift through and evaluate. I’m not ready for 2009 yet! Before launching into the ol’ year-end “best of 2008” lists, let’s quickly run through a couple of freshRead More

by Nick DeRiso Coming as this debut rock release did, amidst the mid-1990s’ copy-cat grungery, it’s still a wonder “Weave” is any good at all. Chalk that up to Queen Sarah’s ceaseless woodshedding, said then to take place from 10 a.m. to 8 p.m. every day in the basement ofRead More

by S. Victor Aaron I always thought that the best covers are ones that takes a mediocre original and turns it into a genuinely good song. Such was the case when Atlanta roots rockers The Georgia Satellites took Ringo Starr’s hokey “Don’t Pass Me By” and gave it a swift,Read More

by Pico The topic of this review is yet another ESP-Disk release, and I’ve often wondered if ESP is an acronym for “not for the faint of heart” in Esperanto. I’m a lot more certain of this, though: Barnacled is a perfect fit for the label, which seems to relishRead More

photo by Pavel Korbut by S. Victor Aaron The Cuban influence on jazz has been resilient from the late forties on. From Desi Arnez and Mongo Santamaria to Paquito D’Rivera and Arturo Sandoval, the heritage remains as strong as ever, as evidenced by the left-field success of Ry Cooder’s BuenaRead More

by Nick Deriso There was no reason to believe that the Rolling Stones, 30 years into their dangerously debauched rock career, would make anything worth a damn out of the 1990s. In fact, the preceding decade — one in which, by far, the Stones’ best new thing was actually aRead More

For all his eccentricities, Rahsaan Roland Kirk could be a staunchly sensitive interpreter. This terrific Bill Withers cover is but one example.

by Nick DeRiso “Come Together,” a concert first envisioned as a benefit to raise anti-violence awareness through the work of John Lennon, was scheduled to be held on Oct. 2, 2001, at New York City’s famed Radio City Music Hall. Then came Sept. 11. This rangy event, featuring recorded snippetsRead More