by Pico One of the most enduring singing piano players isn’t Billy Joel or even Elton John. Mose Allison has been at it since Nat King Cole was dominating the charts and although he’s slowed down a lot lately, the eighty-two year old was recently enticed back into the studioRead More

by Nick DeRiso All apologies to Roger Waters, who’s dragging it back on the road for a series of 30th anniversary concert performances, but I was never all that into Pink Floyd’s “The Wall.” Too much talking, not enough — you know — music. While working out issues in dealingRead More

by Pico If a measure of the talent of a band can be measured by the amount of meaningful side projects its members get involved with, then Umphrey’s McGee is beginning to qualify as a very talented bunch. Last year, Jake Cinninger, Kris Meyers and Joel Cummins from my favoriteRead More

This being his 21st release (including a couple of live documents and soundtracks), it’s a wonder that Nick Cave could start out strong and continue to show growth with each new release. Out in March just a month after The Assassination of Jesse James soundtrack with Warren Ellis, Cave returnsRead More

Like the best Herbie Hancock ballads, “Butterfly” has inner complexity, outer beauty, – and a little mysteriousness.

by S. Victor Aaron Not the bass player for Aerosmith, but a musician named “Tom Hamilton” with a more ambitious calling. For more than forty years, the nonpop New Music composer and performer Hamilton has treated music as a laboratory for experimentation, and a pioneer of using electronics for anarchistic,Read More

by Pico Rufus Reid has never had the flamboyant, edgy comportment of, say, Charles Mingus, but for decades now, he’s been a first-call bassist for many of the finest jazz (and even non-jazz) musicians. Making his way to the top level of bottom pluckers via stints in the Thad Jones-MelRead More

by Nick DeRiso Bassist Charles Mingus, an enlightening yet stormy presence, clearly felt he had unfinished business with some of his earlier work. So, he used “Mingus Mingus Mingus Mingus Mingus” and a move to the more creatively open Impulse! label to take another pass at them. That turned intoRead More

by S. Victor Aaron When I heard Joe Higham’s wonderfully diverse world fusion treat Where Are We Now? last year, I became suspicious that the Low Countries might be a magnet for out-the-box thinking for jazz players. Listening to Eric Vloeimans and his Gatecrash’s new release Heavensabove! just confirmed thoseRead More

by S. Victor Aaron You know the story: a band goes in the studio to records tracks for an album and finds they recorded more than what they needed for that record, so they leave one or two tracks off of it. You’ve also seen this play out: a majorRead More