Pablo Embon – Second Chances (2011)
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Photo from Shawn Bell’s Facebook fan page by S. Victor Aaron The young trombonist Shawn Bell didn’t attend one of those big name prestigious music schools in the Northeast, nor is a player in the hustle and bustle of New York City’s intense jazz scene, but just listen to hisRead More

From adrianbelew.net His credentials are as deep as his records are extraordinary: Adrian Belew, after all, has had stints with Frank Zappa, David Bowie, the Talking Heads, King Crimson and Nine Inch Nails. You May Also Like: Adrian Belew’s ‘Side One’ Was a Journey Through His Rich Musical History AdrianRead More

photo courtesy of Posi-Tone Records by S. Victor Aaron It seems like it was not even a year since we were last here chatting up a new Ralph Bowen CD, and checking back, there actually is less than twelve months between his last one, Due Reverence and this one dueRead More

by Something Else Reviews In many ways, television is a technological wonder these days, what with remote controls, digital signals and DVRs. But, for those who fell in love with the old-school opening theme, it’s not all gravy. Today, you’re more likely to simply see the word LOST charging towardRead More

by S. Victor Aaron Scherr is an American jazz bassist who resides in Hong Kong and spends his time trying to foster creative music within China. A few years ago, he got the urge to fulfill a longtime goal of making music with saxophonist Michael Blake, and he wanted toRead More

by Nick DeRiso Twinray has produced a cloud-parting blast of pop-rock buoyancy with The Train You’re On, recorded with producer/engineer Sean O’Keefe (Plain White T’s, Fallout Boy, Hawthorn Heights). Their endless enthusiasm informs both the subject matter, and the merry experimentation that propels the Chicago-based band’s genre-bending sound. “Do YouRead More

by S. Victor Aaron Robert Hurst is a guy I remember being Wynton Marsalis’ bassist in the late 1980s, before performing in the same capacity for Branford’s Tonight Show band. From there, I don’t recall much. But that’s on me because in reality, Hurst has kept very busy: he’s servedRead More

by S. Victor Aaron Listening to Shawn Costantino’s Waltz For Anne, you’re reminded of Stanley Turrentine or Gene Ammons. Also, he takes on a few standards, but only one of them (“The Touch of your Lips”) is a jazz one. The other two are taken from The Beatles (“Can’t BuyRead More

by S. Victor Aaron Growing up in the Detroit area, Sam Trapchak’s dad played electric bass, and like most musically interested young boys in America, Sam wanted to play guitar. But his father persuaded him to take up bass instead with a piece of irrefutable logic: Everyone always needs aRead More