Gary Wright joined Nick DeRiso to discuss a long personal and working relationship with George Harrison and his 2011 LP ‘Connected.’

by Tom Johnson My first real exposure to jazz was either John Coltrane’s Sun Ship or this. Time has erased the gap between the two, but it matters little. Either way, I was in way over my head. I bought both in quick succession, but found Sun Ship simply wayRead More

Out of Atlanta comes a large band of a very different kind: a ten-piece group that is built on the idea of combining afrobeat and klezmer music. Though they are more of a local outfit, they’ve gotten the attention and praise of musical tastemakers all over America and even acrossRead More

At the end of last weekend, I watched Fellini’s 8 1/2. Turns out that might not have been the best idea for a Sunday evening. You May Also Like: Joe Jackson’s Rain underscored a complete modern-era return to form Why Joe Jackson’s Retro ‘Body and Soul’ Said So Much AboutRead More

Tough times call for angry protest records, for political records, for records that produce rueful smiles. Ry Cooder has done that and more with “No Banker Left Behind,” a tart treatise on the recent financial meltdown You May Also Like: Ry Cooder’s ‘The UFO Has Landed’ Finally Put His AmazingRead More

by Mark Saleski From swing (“Bopsolete”) to smokey blues (and what self-respecting organ ensemble would sidestep the blues? Check out “Deep Blue,” killer guitar solo by Peter Bernstein on this one), this group knows how to have a good time. The title track gets in that groove and burns. AndRead More

Discover why Adrian Belew likes working with younger musicians, and how he’d like to push Crimson’s double-trio format even further out

Three of the most gifted improvisers in free jazz today released this week a studio follow-up from their well-received 2009 live debut. As fellow giants of the NYC downtown scene, William Parker, Craig Taborn and Gerald Cleaver know each well musically and personally (as noted before, Cleaver and Taborn goRead More

by Tom Johnson Bob Marley’s son did this one without the Melody Makers to make an album less about being reggae and more about music. Ziggy seems to find some influence in the Dave Matthews Band, as many songs feature passages that could easily have been played by the DMBRead More

We talked to Adrian Belew during an extended hiatus for King Crimson. But it’s not like he’d been sitting idly by.