“Holding On” doesn’t quite reach Yes greatness – ironic, given the song is packed full of so many production tricks.

The finished version of “Dangerous,” released on Yes’ 1991 album ‘Union,’ stands in stark contrast to Steve Howe’s original demo.

How did something co-written by Yes legend Rick Wakeman end up as a mostly forgettable song bordering on the pretentious?

Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

Another collaboration between Anderson Bruford Wakeman Howe and Yes producer Jonathan Elias is torpedoed by questionable decisions.

The first two minutes of “Miracle of Life” are pure prog joy. Then, as with so much of Yes’ pieced-together 1991 album ‘Union,’ something goes wrong.

“Saving My Heart” from 1991’s ‘Union’ found Yes looking over the precipice of their career – and deciding to jump.

Yes barely appears on “Without Hope You Cannot Start The Day,” which was completed by Jon Anderson from a sketch by producer Jonathan Elias. It’s a shame.

Producer Trevor Rabin scales back some of the excesses from 1987’s ‘Big Generator,’ creating a Yes song with Chris Squire that boasts a socially relevant theme.

While it’s good, Yes’ Steve Howe-played and -produced “Masquerade” seems like an unusual song to receive a Grammy nomination.