‘Peacemaker’ probably would have been fun without the interesting musical choices, but its glam-metal soundtrack makes the HBO Max series so much better.

Extraordinary music usually results when extraordinary musicians like Nels Cline and Ben Monder step out of their comfort zones and put themselves in challenging situations that gives them no other out but to lean on their innate sense of creativity.

In 2021, my vinyl collection grew substantially — and for me, it’s evolved into a bit of an addiction.

FISHBLOT’s ‘small talk’ culls together music from Danny Fisher-Lochhead / Ryan Blotnick sessions that is easily relatable but impossible to categorize.

Self-proclaimed “alt-folk rock” songwriter Dan Tedesco joined Erik Ritland to discuss releasing albums “horizontally instead of vertically.”

Through it all, John Mayall resisted the commercial call and just played a mean, authentic and very defiant British boogie-rocking and heaven-sent blues.

With ‘Oddly Enough,’ Gordon Grdina’s own stringed-based expedition into the works of one of current jazz’s most esoteric composers sheds yet more light on the character, shape and genius contained in these scores.

Recent albums from Steffie Moonlady and Dennis Haklar, and Hans Joachim Rodelius and Dallas Acid demonstrate the incredible variety of ambient music.

The Delvon Lamarr Organ Trio’s ‘Cold as Weiss’ doesn’t mess with the soul-funk-jazz formula of maximal instrumental party music straight out of the ‘Mad Men’ era; it’s just adding more of that same sweetness.

Simon Phillips joins Preston Frazier to discuss the new album ‘Protocol V,’ key contributors from his remade band, and how it felt to get back on the road.