Yves Leveille – ‘L’echelle du Temps’ (2022)
Yves Leveille’s ‘L’echelle du Temps’ feels personal, full of character, unfettered, and wonderful in the true sense of the word.
Yves Leveille’s ‘L’echelle du Temps’ feels personal, full of character, unfettered, and wonderful in the true sense of the word.
An instrumentalist of the highest order, Michael Bisio is underrated as a leader and composer. ‘MBefore’ is but the latest instance where he excels in those areas as well.
‘The Beatles and India’ provides a fresh perspective on a seemingly well-known topic, and will inspire fans to dig deeper into a transformative period.
Star People’s 20-year-old long-lost third album ‘Black Tie & Tales’ has finally arrived from their self-proclaimed 11th Dimension home base.
Michael Formanek Drome Trio’s ‘Were We Where We Were’ is a gratifying listen, whether the person beholding it realizes that these songs are musical palindromes or not.
Ivo Perelman and his all-star saxophone cohorts have rewritten the rules of the saxophone quartet with ‘(D)IVO.’
Andrew Boudreau puts the jazz world on notice his first time out with a thoughtful, fully realized quartet delight.
Jethro Tull was trying to create a pomposity-popping prog-rock caricature. What they ended up with 50 years ago today was a triumph of the form.
The return of his trio allows Mark Wade to completely rethink ideas from Wayne Shorter, Charles Mingus, Fred Hersch, Frank Kimbrough and Mikael Godee.
Bruce Springsteen returned 10 years ago this week with a challenging album that reflected the injustices intrinsic to our recent history.