Both soothing and stimulating, Asha Tamirisa’s ‘Callus/Redux’ is yet another worthy contribution of avant-garde electronic music that’s gender-less in sound and not so gender predominant in origin

‘Dead Man Dancing’ is Ethan Keller up close and personal, warts and all. And you know what? He’s still sounding good.

Mats Gustafsson says it is vital to remain open, inquisitive and to explore music. With ‘MG 50: Peace and Fire,’ he does just that.

Ian East’s ‘Inner Paths’ is an ethnic fusion album that’s fun to listen to now and will be fun to listen to a hundred plays from now. Getting a world music education can hardly be more enjoyable than listening to this.

Paying homage to a Charles Mingus masterpiece with inspired original material is just what you’d expect from the ever-curious, ever-expansive alto saxophonist Greg Ward.

Bob Dylan is revealed as something of a touchstone in ‘Sound Bites: A Lifetime of Listening,’ the fascinating new book by Something Else! contributor Tom Wilmeth.

For the first time ever, we have all of the Spencer Davis Group’s underrated post-Steve Winwood recordings in one place.

As voice actor June Foray turns 100 in 2017, Mike Tiano asks fans to sign the petition for her to receive an honorary Oscar.

This exclusive stream from tenor sax master Nate Lepine’s debut album is a nice day’s work in the span of less than three minutes.

‘Rich Man’ is a consolidation of Bramhall’s strengths as a straight-up rocker, Texas bluesman and modern soul crooner, self-produced in the psychedelic soul style of The Black Keys’ Dan Auerbach.