The delicacy and low-key passion of Avishai Cohen shows up through his trumpet, compositions and every member of his quartet.

Bobby Kimball’s voice, which has lost little of its range and emotional presence, elevates ‘We’re Not in Kansas Anymore.’

With Taj Mahal and Keb Mo’s ‘Tajmo,’ you have two folk/blues legends, two generations – and one marvelous meeting.

Given the passing of a lot of musical heroes recently, Steely Dan’s impassioned, career-spanning turn was much appreciated.

Cuong Vu 4Tet’s sensitive shaping of Michael Gibb’s songs earn serious attention on their own.

The Beatles’ take on “Ain’t She Sweet” remains notable not only for being one of their earliest recordings, but also as a snapshot of their nascent days in Hamburg.

Chris Greene joined Preston Frazier to discuss his genre-defying new album ‘Boundary Issues,’ and an unlikely origin story in jazz.

Though mainly thought of as a premium blues singer and guitarist, I tend to see Robert Cray as part of a long line of great soul men.

“Sola” is a perfect example of Lara Bello’s songwriting heft, lyrical gravitas and her engaging voice.

The opening notes on “Heart In Hand” from Chris Potter’s tenor sax traces Wayne Shorter’s opening remark on “Dance Cadaverous” but Potter’s own deeply expressive character quickly surfaces on his own spare but symphonic poem. In what begins as a You May Also Like: Chris Potter – ‘Circuits’ (2019) DaveRead More