Older, wiser and brimming with confidence, Jonny Lang makes his strongest case yet for his early fans who fell in love with that high school phenom to come running back to him. In 2017, ‘Signs’ fulfills the promise of 1997.

It may not rank as an all-time fan favorite, but “You Know My Name” reveals the various sources the Beatles drew from in their music.

Corey Glover discusses how the forthcoming album ‘Shade’ fits into Living Colour’s storied canon – and why he refused to include one song.

Guitar whiz Dave Stryker gets back to meat ‘n’ potatoes soul-jazz with ‘Strykin’ Ahead.’

Great audio quality and Jack DeJohnette’s rare presence makes ‘Another Time: The Hilversum Concert’ a “new” Bill Evans album that’s also easy to recommend for reasons well beyond merely completing a catalog.

Dylan Howe had already made a name for himself as a jazz bandleader and a sideman before he joined his father’s group.

It’s probably a little too hyperbolic to call Mke Reed’s ‘Flesh & Bone’ the most important release of the year. At the same time, it’s impossible to overstate the importance of its message at this critical time.

Now on tour with a crack new band, Donald Fagen must choose which songs to perform from his extensive catalog. It’s a good problem to have.

Proving again that contemporary jazz doesn’t necessarily equate to smooth jazz, Brad Cheeseman Group’s ‘The Tide Turns’ is another solid set of tracks from Cheeseman where real work is put in from conception to execution.

As a kid in the ’60s, Elvis Presley’s hit-making era was dim and distant. Blame the Beatles. Blame Oswald. Blame television. But it was true.