The Blind Boys of Alabama fixed a glaring hole in their amazing career resume with ‘Down in New Orleans,’ released on this date 10 years ago.

The Beatles, particularly John Lennon and Paul McCartney, were avid students of the Texas-born singer-songwriter Buddy Holly.

Expanded reissues from the Residents allow us to peer inside the earliest mad musical manifestations of possibly America’s most enigmatic musical troupe.

I walked away wondering how I’d missed Dark Hound’s first two albums. It’s an oversight that I intend to correct immediately.

The baker’s dozen in this Best of 2017 list reveals that fusion jazz has expanded and diversified way past its ‘Bitches Brew’-era beginnings.

None of the great talent assembled here gets stretched near their limits for this Desertion Trio excursion, but this diversion is for an altogether different mood.

Put together by Mighty Shamrocks veteran Mickey Stephens, the Poor Blue’s ‘Wasteground’ is a rootsy, autobiographical tour de force.

Here’s the part of the annual Best of 2017 lists that’s the most fun to pull together.

It was easy to find jazz records that deserved a year-end salute; maybe ‘too’ easy. The heavy lifting came from figuring out which stood above the rest for this Best of 2017 list.

“Anna (Go to Him)” impacted the Beatles’ songwriting, and Arthur Alexander’s heartfelt vocal style influenced John Lennon’s intensely personal performances.