‘Seventh Son of a Seventh Son,’ released 30 years ago this week, started a journey. Iron Maiden is now a part of me, and I am a part of what’s kept them around.

Mike Tiano calls out ‘Weekly Standard’ columnist Ike Brannon for a misleading piece on Yes, the Replacements and the Rock and Roll Hall of Fame.

A re-release of Durand Jones and the Indications’ self-titled debut seemed initially strange to me. The original is hard to improve upon.

Respected for his incalculable influence on both jazz and rock, Billy Cobham is an important drummer – and one that I had never seen perform.

If Jasen Weaver’s ‘The Voscoville’ is any indication, we are definitely going to be hearing more from this exceptional developing jazz talent.

‘Spitting Feathers’ feels like part of a journey for Radiohead frontman Thom Yorke, but not one which is complete.

Jeff Coffey discusses his fascinating career – before, during and now after Chicago – in this new Something Else! Sitdown with Preston Frazier.

The term “code girl” came randomly out of the mouth of Halvorson’s primary mentor Anthony Braxton but it could have easily been directed at Halvorson herself

The Beatles’ darkly experimental “Long, Long, Long” foreshadows a frequent trope in George Harrison’s solo work: comparing spiritual and romantic love.

When Lindsey Buckingham’s terrific ‘Live at Bass Performance Hall’ arrived 10 years ago on March 25, 2008, I realized that I had forgotten some of the minor hits.