Billy Cobham joins Mike Tiano to discuss career highlights and challenges that led to the Crosswinds Project.

The men and women who make popcorn in a Wylie, Texas factory believe strongly enough in their mission to devise a cool 90-second rap ditty.

The Satoko Fujii Orchestra Berlin really comes onto its own with ‘Ninety-Nine Years.’

Tom Tallitsch’s ‘Wheelhouse’ is all in a day’s work for this underappreciated tenor saxman, who once again demonstrates the continued vitality of the hard bop form. If that kind of jazz is in your wheelhouse, then this album is sure to be as well.

Is it jazz-rock fusion or just instrumental jam-rock? Such descriptions are superfluous when the music connects as ‘Let It Wander’ by Circles Around The Sun does.

Walter Becker’s estate drops another ’11 Tracks of Whack’ outtake that continues the decades-old theme of falling for a prostitute.

Whether it’s individual heroics or wonderful ensemble symmetry, ‘Rhapsody’ begins with the mind of Bobby Previte. He not only had a concept but saw it to a fully developed work that stays true to its mission and articulated it well.

The return of Jason Stein’s Locksmith Isidore with ‘After Caroline’ is a welcome one because these guys don’t slouch for a second in taking on Stein’s challenging material.

The thought that this Thelonious Monk recording could have been lost is too much. ‘Mønk’ is amazing.

Here is the streaming premiere of “Dipsea Steps” from Brian Krock’s exciting new big band, Big Heart Machine.