Ivo Perelman and Jason Stein’s ‘Spiritual Prayers’ provides a symbiotic, seemingly effortless demonstration of free improvisational playing.

Issued 25 years ago, Lisa Germano’s darkly intriguing debut made it clear that she had always been more than simply an accompanist.

At its best, ‘Yesterday and Today: The Yes 50th Anniversary Album’ isn’t just a recreation of the originals; it’s an imaginative retelling.

Forty years ago, Gerry Rafferty’s most famous album offered a lasting sense of rebirth, even if the former Stealers Wheel frontman never found it himself.

This album seems to have brought Donny McCaslin to a decision point: Is he a jazz player, an improviser or a rock / pop / stage show player?

‘Miles and Quincy: Live at Montreux’ arrived 25 years ago as an unexpected celebration of Miles Davis’ fertile relationship with Gil Evans.

Harriet Tubman continues with the lofty ideas found on 2017’s ‘Araminta,’ and one ups it with deeper experimentations into rhythms.

On this date 10 years ago, Jon Larsen set out to put Zappa drummer Jimmy Carl Black back in the spotlight not just a musician, but as a person.

Jeremy Morris embraces another wide array of sonic expressions on his latest inspired endeavor, ‘Dulcimer Dance.’

Set free from the boundaries of his own fame, Paul McCartney flourished on the Fireman’s ‘Electric Arguments,’ issued 10 years ago today.