A deep dive into Bert Sommer’s work with the Left Banke and Mountain’s Leslie West, on stage with ‘Hair,’ on screen with ‘The Krofft Supershow’ – and, of course, at Woodstock.

As the Radical Empathy Trio, Thollem McDonas, Nels Cline and Michael Wimberly brew up two extended 20-minute performances that liberally mix acoustic with electronics.

The definitive ‘Songs For Groovy Children’ features all 43 songs performed by Jimi Hendrix and the Band of Gypsys during the Fillmore East concerts in their original sequence.

Fred Phillips’ Best of 2019 list includes Gloryhammer, Tom Keifer, Soilwork, Sturgill Simpson, Wind Rose, Parkway Drive – yes, Parkway Drive – and others.

Maybe Taylor Jenkins Reid’s ‘Daisy Jones & the Six’ isn’t about rock ‘n’ roll at all. Maybe it’s more about love, and who you love and how you choose to love them.

‘Become the Discovered, Not the Discoverer’ by Keiji Haino, Merzbow and Balazs Pandi ain’t got no edits, no overdubs, nothing planned in advance. Just pure unadulterated impulsiveness.

Preston Frazier’s Best of 2019 Jazz includes MaiGroup, Alan Evans, Catherine Russell, Jon Herington and Jim Beard, Bob Sheppard, Oz Noy and Kelley Suttenfield, among others.

With ‘Ineffable Joy,’ Ivo Perelman makes a significant addition to free jazz’s most fabled record company catalog.

Using high-level musicianship and a great sense of harmony and rhythm to carry out one instantaneous idea after another is the trademark of Claudio Scolari Project.

Mike Tiano explores the wide-open spaces created for progressive rock inside the Beatles’ ‘Abbey Road.’