by Nick DeRiso While it doesn’t have the cohesiveness of 1992’s “Portraits of Ellington,” this makes its own kind of statement. The playlist is an evocative pairing of older, traditional big-band selections by composers like Billy Strayhorn, with more modern tunes from Miles, Monk and Coltrane. In that way, theRead More

Fans of his so-called comeback projects shouldn’t skip over ‘Connected’ as they make a bee line for Allen Toussaint’s classic-era albums.

The Beatles’ ‘Revolver’ became their best album as the group made its first genuine foray outside of already-comfortable pop-song structures.

by Nick DeRiso A line-up from jazzer nirvana is one thing. Wringing such ringing performances out of the guys is quite another. Call this cool vibes from vibrophonist Hampton, who certainly knows where to mail the invitations — a veritable who’s-who of jazz for the newbie: Pianist Hank Jones, trumpeterRead More

Another in a series of overlooked jazz classics. This time we look at diamonds in the rough by perhaps the single most influential figure in jazz since World War II: Miles Davis. A high profile artist whose work has been picked apart as much as Davis’ won’t have a lotRead More

This stark-red Paul McCartney release, issued as the Fireman, turned out to be one of the wackiest Beatles solo releases ever.

by S. Victor Aaron If someone were to ask me who was the best alto sax player ever, I couldn’t at least not heavily consider Cannonball Adderley, the Miles Davis sideman. He had both technique and soul by the sackful. Adderley churned out some fine ones even without the PrinceRead More

by S. Victor Aaron Recently I revisited an album that wore our my cassette player during late ’86-early ’87: Tutu by Miles Davis. It typically takes a long time to get the right perspective on a Miles record, he was often took a direction in music before his listeners wereRead More

 by Nick DeRiso One of her best Rounder releases, and hilariously named, is “Let Me Play With Your Poodle.” Featured is legendary guitar virtuoso Clarence Holliman, the guy who burned through Bobby “Blue” Bland’s classic 1950s and ’60 sessions. In fact, the old album titles tell it best, when talkingRead More

by Nick DeRiso Rainbow Mist, Coleman Hawkins’ 1944 smoker on Delmark, was a brilliant record borne out of boredom. Hawkins, the tenor saxman, had already made his splash with the song “Body and Soul,” back in 1939. When he returned from living in Europe for five years, he took aRead More