We all know that Stevie Wonder is a great singer, but former Doobie Brothers star Michael McDonald simply outdoes him here.

by Pico I finally got around to listening to Tom Waits’ sprawling odds-and-ends collection Orphans and it occurred to me that Australian-born/England-residing singer-songwriter Nick Cave has a lot of similarities to Waits. Both have scary sounding voices (Waits a whiskey-scarred growl and Cave a deep baritone), write detailed narratives delvingRead More

by Nick DeRiso “Elegy” begins with a trill from Herbie Hancock, then a persistent, oh-so distinctive tapping that could only be drummer Tony Williams. Next, a nimble, casually funky bass line from Ron Carter. Like a dream made real, Miles Davis’ second great group — with Wallace Roney stepping inRead More

In the brilliant, circular overture of synthesizer and riff that opens ‘Endless Wire,’ we find a triumph for what’s left of the Who.

Tokyo-based whack jazz guitarist, turntablist, composer, arranger and knob twiddler Otomo Yoshihide has been called the John Zorn of Japan for his love of combining experimental sounds with avant-garde jazz. And to my ears, there’s not much there to dispute the comparison, for better or for worse. His fascination withRead More

With Koko Taylor’s sassy wailing, “Merry, Merry Christmas” provides a great excuse to sway to some prime, funky electric Chicago blues done right by one of its living legends.

by Pico When I first read about an album by Mariani called Perpetuum Mobile from 1970 and featuring Eric Johnson, two thoughts immediately came to mind. Either the “1970” part was a typo and “1980” was intended, or this was a different Eric Johnson than the Austin, Texas-based axe virtuosoRead More

by Pico A couple of weeks ago we looked at a band who at times sound like a virtual clone of Yes in their prime. This time, we spotlight a musical group who has taken mimicking others to an whole ‘nother level. Mickey Melchiondo and Aaron Freeman, aka Dean andRead More

by Pico In My Hallowed Opinion, it doesn’t matter much what kind of music it is, if it’s created and executed well, it’s worth listening to. That’s why you don’t have to like crooners to appreciate Sinatra. Or get into reggae to respect Bob Marley. That’s why even though IRead More

Alright, confession time. There are large areas of the musical landscape I listen to pretty regularly but haven’t written about and probably never will. And there’s various reasons for that. For instance, popular releases are bound to be well covered elsewhere, adding my thoughts to it just seems redundant. ThenRead More