How King Crimson Defined an Unsettled Post-9/11 Landscape on ‘Power to Believe’
Released 20 years ago this week, King Crimson’s turbulent ‘Power to Believe’ felt like an innocent’s view of war as it started right before his eyes.
Released 20 years ago this week, King Crimson’s turbulent ‘Power to Believe’ felt like an innocent’s view of war as it started right before his eyes.
Most may not put Wayne Shorter on the level of Sonny Rollins or John Coltrane, but I do. When surveying the impact he made over 50 years, it’s hard not to.
Secret, secret – I’ve got a secret: Styx’s “Mr. Roboto” arrived 40 years ago today as a nonsensical band-busting hit. I turn it up every time.
Perfectly self-contained, ‘OK Computer’ nevertheless reads as a watershed between what Radiohead was – and what they would become.
A swampy alternate version of Walter Becker’s twangy delight “Cringemaker” bowed for the occasion of his 73rd birthday. Check it out at Walter Becker Media.
Prog Collective’s ‘Seeking Peace’ wobbles and rolls through melodic twists and turns, avoiding many of the current cliches of neo-progressive rock.
John M. Gouldin breaks down five less-heralded albums Yes released between 1996-2001, concluding with Jon Anderson’s swan song ‘Magnification.’
Let’s hope whoever sings the National Anthem at tonight’s Super Bowl does better than this. They almost have to, right?
Released 25 years ago today, Neutral Milk Hotel’s ‘In an Aeroplane Over the Sea’ is still magical, inexplicable and a fresh alternative to everything else out there.
Van Halen’s self-titled debut arrived 45 years ago this week with a cover photo that was kind of primal and unhinged. I just knew I had to have it.