Al Jarreau has found a good measure of success from applying his unique weave of octave shifting singing and jazz scatting to a wide array of songs ranging from jazz standards to r&b to straight pop. And like Linda Ronstadt and Robert Palmer, he’s had a knack for finding someoneRead More

by Pico OK, I’ll say it up front: I’ve never been a fan of The Grateful Dead. Don’t know for sure why; after all, I love extended improvisations and the confluence of different styles. And it’s not that I don’t like jam bands; I can listen to the Allman BrothersRead More

Like last week’s OTM, we’re profiling a song played by a pianist whose preferred method of attack is the trio format. Aside than that, there’s nothing that could be more different about today’s flavor, as we go from a twenty-six minute long cerebral jazz track to a three minute popRead More

by S. Victor Aaron That Keith Jarrett, he’s one amazing individual. Consider: · In the middle of the domination of jazz by wanking electric guitarists and keyboardists in 1975, KJ sits down in front of an audience in West Germany armed with only a piano, starts playing whatever came outRead More