When John Frusciante Returned to Solo Work on ‘Shadows Collide With People’
John Frusciante released a solo album 15 years ago this week that wasn’t as hot as the Red Hot Chili Peppers, nor as funky – but more distinctive than you might expect.
On Second Thought
How Joe Bonamassa Finally Arrived With ‘The Ballad of John Henry’
10 years ago this week, Joe Bonamassa discovered the perfect balance between his penchant for blues covers and ’70s-style hard rock.
Claudio Roditi’s Gorgeous ‘Brazilliance x4’ Deftly Balanced His Many Influences
Claudio Roditi returned to the music of his homeland 10 years ago today, but this salute to Brazil boasted a unique approach.
Ben Folds Returned to Older Work on ‘Stems and Seeds,’ and Vastly Improved It
Ben Folds treated us to a much-needed “de-master” of ‘Way to Normal,’ 10 years ago this week.
Willie Nelson Found a Worthy Foil on the Diverse, Rootsy ‘Willie and the Wheel’
Willie Nelson released a terrific collaboration with Asleep at the Wheel 10 years ago today that was by turns reverent and then rambunctious.
Eliane Elias Confidently Expanded Her Main Influences on ‘Bossa Nova Stories’
Elaine Elias had paid tribute to Brazil’s great contribution to jazz long before this album arrived 10 years ago. But ‘Bossa Nova Stories’ was different.
Ruthie Foster Confirmed Her Genius With ‘The Truth According to Ruthie Foster’
Released 10 years ago today, ‘The Truth According to Ruthie Foster’ was much more than a blues triumph.
When Umphrey’s McGee Created ‘Mantis,’ Their First In-Studio Project
Known for their spontaneity and informal composing, Umphrey’s McGee tried something 10 years ago today that they’d never done before.
Miles Davis’ Expanded ‘Kind of Blue: Legacy Edition’ Struck the Perfect Balance
10 years ago today, an expanded reissue of Miles Davis’ ‘Kind of Blue’ finally put these historic sessions in perspective without breaking the bank.
Andrew Bird’s ‘Noble Beast / Useless Creatures’ Was as Challenging as It Was Gorgeous
Issued 10 years ago this week, Andrew Bird’s ‘Noble Beast / Useless Creatures’ seemed like odd, demanding music when described. Only, it really wasn’t.
