Up until the year 2003, I had successfully avoided Kurt Elling. This wasn’t all that hard to do considering that male jazz vocals never really resonated with me. I do own a Coltrane/Hartman record, and of course some Frank Sinatra and Tony Bennett. Still, only a handful of albums? ItRead More

Even if he wouldn’t have established so many jazz standards, Artie Shaw would have still been famous for his blaze-of-glory exit. You May Also Like: Digging Into Craft Recordings’ 2021 Chet Baker Vinyl Reissues

My first encounter with the musicianship of fusion guitarist Steve Khan came from Billy Joel’s 1978 album 52nd Street. I still remember a studio picture of Khan in the vinyl record’s sleeve, big black hair, mustache, guitar and all. These days, Khan doesn’t have the big black hair anymore, butRead More

by Tom Johnson My dad introduced me to Robert Cray long ago and, even into a new century, little had changed with Cray: He was still putting out dependable, if unspectacular, albums of his smooth brand of blues — a sound that fills in that overlooked category of music thatRead More

by Tom Johnson Bassist Tony Levin has made an incredible career for himself backing some of the finest musicians in the world, but his most notable contributions have been with Peter Gabriel and the ’80s and ’90s incarnations of King Crimson. He left, then returned around this time when TreyRead More

Where’d saxophonist Chris West get this groove? The undulating downtown streets of New Orleans, of course. Sassy and just plain nasty at times, “Where I Got This Groove” is like a sweat-soaked traipse across that city’s legendary Vieux Carre’. They start with drummer Justin Amaral’s slapping second-line groove, then addRead More

The lithe, understated pianist Lisa Hilton has led a dozen dates, and Underground is record no. 13. There’s a nocturnal ambience about her brand of jazz, one she seems to play up with past album titles like Cocktails at Eight…, Jazz After Hours, Midnight in Manhattan and After Dark. Moreover,Read More

Dominated by a dreamy wah-wah from guitarist Kyle Sclafani, Mia Borders’ “Try Me On” initially brings to mind all of the big-hat-wearing, too-tall-bootsy joys of 1970s funk. When her lyric, which starts out sexy and tough, gives way to Adam Matasar’s throwback turn on the Fender Rhodes, the lava-lamp lightningRead More

by Tom Johnson Aimee Mann, the former ‘Til Tuesday frontwoman, turned in yet another amazing performance, this time in the form of a concept album centered on boxing as a metaphor for relationships. Or something like that. It doesn’t really matter; what matters was that Mann’s songcraft is once againRead More

You’d think the use of a music box on the title track from an interesting release by Korean jazz singer Youn Sun Nah — “Same Girl” was originally found on Randy Newman’s 1973 recording “Trouble in Paradise” — would imbue it all with this childlike wonder. (Elsewhere, Youn Sun NahRead More